The duo finally crosses path at Meeta’s sister’s wedding, right in the midst of her escape with her father’s hard earned money when he fails to loan it to her for her research project. While Nikhil boxes himself in to adhere to societal norms, Meeta emerges as a child prodigy who refuses to conform to preconceived notions. The audience is introduced to its two central characters, Nikhil and Meeta – both united in their eccentricities.
What remains in the audience’s mind is his lacklustre expression of remorse, which, unfortunately, is the underlying thread that binds this romantic comedy that lacks heart and humour at intervals.
There is a moment in ‘Hasee Toh Phasee’ when Sidharth Malhotra’s character realises he’s forgotten that he’s locked Parineeti Chopra in a room for reasons one may probably fail to even recall later.
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